Photo + Video Production
From single-day product shoots to the world’s biggest events, we plan and run photo and video production that works for your brand.
Kradl product shoot, produced by Top Rope Media
How we run a production
Same process, any scale
Whether it's a four-day national convention or a single morning on a mountain trail, every production we manage gets the same process and the same attention to detail. It's why clients like NBC Olympics and the National Education Association trust us with theirs.
Strategy
We work with you to build a production plan and content made to work everywhere you use it, from your website and live feeds to paid campaigns and the trade show floor.
In practiceNEA Representative Assembly. After months of planning, we build a full photo and video production scope that gives NEA exactly what they need in real time, and a lasting record of the event.
01
Planning
We assemble the right creative team for the work, then handle everything behind it: locations, permits, talent, scheduling and gear rental.
In practiceNBC Olympics, Milan Cortina 2026. We managed the curling venue production from start to finish, with over 544 hours of live and recorded coverage.
02
Production
Depending on the size and scope of your project, we can assign a dedicated producer to run the schedule and shot list, so the creative team can stay focused on capturing the content.
In practiceSurf Into Yoga. We assembled a team that worked on-site in Kauai and remotely to capture, edit and produce the final cuts for pro surfer Rochelle Ballard's online surf course.
03
Delivery
You receive a finished library of photos and videos, cut for every channel and licensed for every use you need, including your partners and parent company.
In practiceKradl. We produced a two-day photo and video shoot across three locations, showing the Kradl in use by road cyclists, mountain bikers and beach cruisers, delivered as a library for their site, email and social.
04
Product and brand shoots
A typical client production is a one- or two-day shoot for an outdoor or lifestyle brand, built to give you a library of photo and video for every channel.
Kradl
A two-day product shoot across three locations, showing how riders use the lift to reclaim space at home.
BLNDN Haircare
Product content for a haircare brand, built for their Shopify store, social, email and paid ads.
Mister Brown's
Product and in-shop photography for a San Diego barbershop and its line of grooming products.
Seven Cycles
On-location shoot at the Sea Otter Classic with pro racer Kelly Catale and photographer Wil Matthews.
Summer Cycles
Shoots on the road and in the shop for a custom bike builder in Del Mar, California.
Surf Into Yoga
A video course library for pro surfer Rochelle Ballard. We built the scripts and lesson plan, then managed the shoot in Kauai and the edit.
Trade shows and events
The content we produce often ends up on a show floor. We also plan event activations and staff booths for brands at shows like the Sea Otter Classic and Interbike, including the TASCO MTB takeover at Sea Otter and Zoca's booth at Interbike.
Photographers and videographers we work with
We work with commercial photographers and videographers who cover outdoor, cycling, events and lifestyle. Follow the links to see more of their work.
Meredith McConvill
Top Rope Media photographer. Much of the work on this page is hers.
Celia Miller
Senior producer and photographer. Commercial outdoor, apparel and product.
What a shoot with us includes
Licensing, usage and broadcast rights
When a photographer or videographer shoots for you, they usually keep the copyright. What you buy is a licence: written permission to use the work in specific ways. A clear licence is what lets you run a photo in a paid ad, on a trade show wall or in a partner's catalogue without a second negotiation.
What a licence covers
Where the work can appear (web, social, paid ads, print, trade shows, broadcast), in which countries, whether it is exclusive to you, and for how long. Terms of two to five years are common, and some agreements run in perpetuity.
Broadcast rights
Live events work the same way at a larger scale. Broadcasters pay for the right to air an event, and that agreement decides who can film, stream and share it. We work inside those rules at the Olympics and at the NEA Representative Assembly.
How we handle it
We agree usage with you before the shoot, write it into our contracts with photographers and videographers, and get signed releases from talent. You know what you own, and you can share it with partners or a parent company.
Projects with photo and video work
- BLNDN Haircare
- Blue Fire Collective
- Brandon Barrett – Tournament Angler
- Case Study: Marketing Services For The Renewable Energy Sector
- Catalyst PT: How to Increase Appointment Bookings
- How to Create Videos for YouTube + Social Media
- Kradl
- Mister Brown’s
- NBC Olympics: Event Production
- Skyflash Racing
- Summer Cycles
- The National Education Association (NEA)
- UC San Diego Women’s Conference
Planning a shoot?
Tell us about the product, the season and where the content needs to run. We will come back with a plan and a quote.